Mughal Allegorical Portraits

Abul Hasan's Painting: Jahangir and Shah Abbas

The allegorical painting of Jahangir embracing Shah Abbas was painted by Abul Hasan, showcasing Mughal dominance through sophisticated symbolism.

Primary Reference: NCERT Class XII - An Introduction to Indian Art Part II

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The famous Mughal painting, depicting Jahangir embracing the Safavid king Shah Abbas, was painted by which one of the following Mughal painters?

[UPSC CDS 2020 (I)]

Detailed Solution & Historical Context

Concept


Jahangir’s court specialized in 'allegorical' portraits—paintings that depicted symbolic or imagined scenes as if they were real, used to project imperial ego and diplomacy.

Authentic Source Evidence


This painting was created by Abul Hasan (Nadir-ul-Zaman) around 1618. It depicts an imagined embrace between Jahangir and Shah Abbas of Persia. Although the two never met, the painting was intended to assert Jahangir's dominance (he is shown larger and standing on a lion, while the Shah stands on a lamb).

Analytical Breakdown


  • Logic 1: Abul Hasan was the favorite painter for these hyper-realistic, symbolic works.

  • Logic 2: Bishandas was sent to Persia to paint real portraits of the Shah, but this specific 'embrace' scene is the work of Abul Hasan.
  • Conceptual Deep Dive & Logic

    "What is the symbolic significance of the lion and the lamb in the painting?"

    They symbolize a peaceful world under Jahangir's rule where even natural enemies coexist, while the lion's position shows Mughal superiority.

    Examiner's Mindset & Pro-Tip

    "Abul Hasan's work highlights the use of art as a sophisticated psychological tool in Mughal international relations."

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