Mughal Allegorical Portraits
Abul Hasan's Painting: Jahangir and Shah Abbas
The allegorical painting of Jahangir embracing Shah Abbas was painted by Abul Hasan, showcasing Mughal dominance through sophisticated symbolism.
Primary Reference: NCERT Class XII - An Introduction to Indian Art Part II
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Exam Year
2020
Evidence Source
Link ↗The famous Mughal painting, depicting Jahangir embracing the Safavid king Shah Abbas, was painted by which one of the following Mughal painters?
[UPSC CDS 2020 (I)]
Detailed Solution & Historical Context
Concept
Jahangir’s court specialized in 'allegorical' portraits—paintings that depicted symbolic or imagined scenes as if they were real, used to project imperial ego and diplomacy.
Authentic Source Evidence
This painting was created by Abul Hasan (Nadir-ul-Zaman) around 1618. It depicts an imagined embrace between Jahangir and Shah Abbas of Persia. Although the two never met, the painting was intended to assert Jahangir's dominance (he is shown larger and standing on a lion, while the Shah stands on a lamb).
Analytical Breakdown
Conceptual Deep Dive & Logic
"What is the symbolic significance of the lion and the lamb in the painting?"
They symbolize a peaceful world under Jahangir's rule where even natural enemies coexist, while the lion's position shows Mughal superiority.
Examiner's Mindset & Pro-Tip
"Abul Hasan's work highlights the use of art as a sophisticated psychological tool in Mughal international relations."
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